Cesaria Evora Greatest Hits
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We left Lura in 2006 with the flawless “M'bem di Fora”. Today, she is back with “Eclipse”, her finest album to date. Recorded in Brussels, Lisbon, Paris, Praia and Naples, this fourth opus confirms the reliable talent and natural elegance of a singer who still has plenty of surprises in store for us.
Penned by B. Leza, the historic Cape Verdean writer sung by Cesaria Evora, the song Eclipse is a treasure-house of emotion and sobriety. It sets the tone for the album: delicately wrought, acoustic and full of grace. The track is a perfect illustration of sodade - a vague feeling of melancholy and sadness, a nostalgic relationship with land, sea and family sung by poets, sailors and their wives since time out of mind. Lura’s sensual voice sometimes conveys the distant regrets of her exile, a general, gentle sodade that is never bitter.
A Portuguese-speaking artist, Lura stands at the crossroads of Portuguese and Cape Verdean culture. Born in Lisbon in 1975 (the year of her country’s independence), she remains strongly attached to her family’s native land and the culture of Cape Verde. At the age of seventeen, she was already dancing and singing backing vocals for Juka, a Sao Tomé zouk singer. Giving up her swimming studies, she took the plunge into the musical deep end and soon acquired a reputation as a singer in her own right. In 1996, she recorded a first urban album of r&b and Afro-Portuguese zouk.
Following the success of her next album, “M'bem di Fora”, which came out in 2006, Lura travelled the world, winning over audiences who proved ever more loyal and attentive to her music. Thanks to her, Cape Verde’s younger generations rediscovered their local musical heritage. They began to dance, fall in love and weep to the beats their parents and grandparents loved. Displaying great maturity, “M'bem di Fora” laid the foundations for Lura’s future songs and now her new album, “Eclipse”.
Growing up in the Creole quarter of Lisbon, Lura was surrounded by beats from the leeward and windward islands, as well as Portuguese pop, jazz, African music and American soul. Today, all these influences are to be found on “Eclipse”. The album expresses love, joy and sometimes sadness. Its thirteen new tracks display incredible energy - for instance, Maria, a song written by Lura herself, whose bass and percussion showcase her voice magnificently.
Her bandleader and arranger, Toy Vieira, wrote the superb Um Dia with her in mind. On this ballad with its jazz notes and discreet backing vocals, a radiant Lura literally shines, as she does on the catchy Quebrod Nem Djosa (Poor as a Church Mouse), one of the album’s high points. This song by Vlu (Valdemiro Ferreira), one of Mindelo’s fashionable young writers, appeals to the honesty of Cape Verdeans facing economic adversity. Brass and backing vocals remind us that joy and good humour will always win out over life’s trials.
On “Eclipse”, Lura takes a loving, soulful look at the full musical range of her country, the different Cape Verdean genres from coladera to funana. Full of verve and energy, but also with more ingenuous touches, her voice again makes all the difference. Yet as she modestly confides: “My career has been a continual surprise to me since I discovered my voice in adolescence until now. I take it one day at a time, but I’ll be a singer for the rest of my life. I’m sure of it. I don’t know why.”
Other albums by same artist